#but this show right here....i had to

[egophiliac]

A guy who just wake up from a coma -> what did i miss?

Pomefiore was the last plot i follow before real life made me forget about our silly boys. How bad has the plot become now for our gang? Also who is that Gojo looking guy?

anon, I am so sorry and I mean this in the best way, but I do think episode 5 is the absolute funniest place to have stopped following Twst because shit starts escalating SO fast after that. episode 6 literally starts with a secret government shadow agency breaking down our doors and kidnapping students. zero to a million instantly.

and like...that's not even the zaniest thing so far? Ortho's hacked into the collective human unconscious. there's time travel (sort of). "Crowley might be Malleus' long-lost father" is a serious theory. if you'd told me any of this back pre-episode 6, I would have asked for the link to this unbelievable but highly intriguing fanfic.

also, episode 7 gave us (and then immediately took away 😔) the best character in the whole story:

[hinamie]

thank u canon plant nerd megumi for my life

bonus:

[xxplastic-cubexx]

auction results done for @ouchpotatoex as a part of the 2024 @marveltrumpshate charity event: thank you so much for your generosity and donations !!!!

[tubbytarchia]

got an urge to design ponies oops

[thelostmoongazer]

so i recently watched all the sonic movies

[usertoxicyaoi]

"But ... why do we only have sex before it's a sunny day?" TAIKAN YOHOU (2023). EPISODE ONE.

#1YearWithTaikanYohou.

[vwoop-prince]

YJ S3 Dick, still in the midst of his fever dream, hides underneath the 'souvenir' instead of behind some boxes, and accidentally opens the airlock trying to take care of the Parademons. The others get it to close... but not before Nightwing is thrown into space.

There, he stares at the ship holding his friends and mentors. There, he wishes more than anything that he can, somehow, survive. There, he tries to live, if only so his family don't have to bury him like Jason.

There, Nightwing dies, wanting to save everyone, even with the cold seeping into his bones far too quickly for a regular section of space.

Then, Dick opens his eyes to... Earth? There's a little house, and grass, and trees, but there's a bubble of green over it all. Outside of that green was an entire castle, one that looked like it should have far more support beams than it does for even a hope that it stays standing.

And the sky was swirling shades of that same green. It makes him think of Lazarus.

"Well, that's something you don't see every day." He whips his head behind him, a bit too fast for Earth's atmosphere, but it doesn't hurt him. Past the bubble of green was a blue-skinned adult in purple robes, the insides of a grandfather-clock fitted inside their torso, and a black staff with a stopwatch on its top. Beside them was a man with snow white hair, glowing green eyes, a crown of frozen fire dancing above his head, and the most galaxy-like cloak Dick's ever seen clasped to his shoulders. He's wearing... a hazmat suit? Maybe? The twinkling stars and odd lighting of wherever he is were giving him a bit of a headache.

But in front of those two, within this bubble, was...

"DICK!" Wally shouted with unrestrained glee, a blur overtaking his spot for barely a heartbeat before Dick's stuck in a crushing hug that he reciprocates once his brain stops feeling like its melting.

He doesn't know how long it took for them to calm down, but the man with the crown spoke up after a time, as Wally was still wiping their faces free of tears. "Welcome to the Infinite Realms, Nightwing." Dick barely even registered that he was still wearing his suit, but now it felt suffocating. "I suppose you're the one Clockwork was holding out for; There shouldn't've been enough Ectoplasm around you to form a Ghost, and your physical body's still in space. I can see why you like this one, though, Clockie," he states flippantly, turning to his companion. Almost like he didn't expect Dick to pay too close attention to what he was saying.

"Either way, there's two options for you." The man didn't let Dick swallow his tears and question anything. Dick's not sure if he's grateful or not. "First: Stay in the Realms permanently. You'll see Kid Flash whenever you want and learn to be a Ghost with the denizens of the Realms. Maybe find your parents."

"But..." Dick pulls away from Wally, keeping him at arms length, eyes flitting between them. The two outside the bubble were distinctly... ghost-like, so the mentions of 'Ghosts' make sense. But Wally looked... alive. A bit pale, a bit thin... but alive. Dick can't see any of his own skin to see if it was blue or tinted that way, but the Nightwing symbol on his chest kept flickering between its own blue and this 'Realms' green. "But--What about the others? What about you? Why can't you come home?" The last two, he focuses on Wally, because now he can feel a heartbeat beneath his gloves. Wally's alive. He's alive.

His friend just shrugs. "Something about their portals not fit for the living? I'm meant to wait for someone to figure out a permanent portal, but they won't tell me how long that'll take." Wally glares at the... 'Ghosts'? There was a heat to it, but it also seemed like this was a well-worn argument.

"The permanent portal was always an 'if', Wallace West. And that is entirely dependent on if Richard Grayson takes the second option," the clock Ghost--Clockwork?--speaks up. But instead of the adult Dick was expecting, there was an elderly Ghost in their place. Still with the time motif. Was that... more literal than Dick took it?

"Yes, the second option..." The crowned man glares daggers at Clockwork. The temperature dips below comfortable. Dick tries to blink the spaceship and stars out of his sight, withdrawing his arms from Wally to try and warm himself. Tries to remember he's not in space. "The second option is that you return to your body... changed. You'll be able to protect Earth better, stay with your alive family, save the Lost Ones... for a price."

Dick doesn't know if he should ignore the plural in 'Lost Ones'. He doesn't know if he's reading too much into how, in this Realm, apparently only his parents were able to be found. Where's Jason? He doesn't dare hope, but...

"What's the price?"

The man smiles and a ring of blue forms around his waist. It splits in two and travels up and down his body, replacing the cloak and whatever clothes he was actually wearing with a NASA shirt, worn jeans, and red sneakers actually duct taped together. The blue tint to his otherwise tan skin fades completely. His hair turns black. His eyes turn blue.

He was like a taller, slightly slimmer, way hotter version of Bruce.

The man walks through the bubble, but doesn't disturb the grass beneath his feet. "You become the Ghost King's vassal." Dick flinches away and almost hides behind Wally. "Not my idea! But, well... it is either this, or your permanent death."

"What does becoming a vassal do to him?" Wally asks, gently trying to stop Dick from breaking his ribs with how tightly he was hugging himself. Does he even have ribs?

"He gains my powers. Ice, electricity, invisibility, intangibility, flight... He becomes a Halfa. He becomes what I was, in life. Just... needing to make offerings to me, now and then. Something like that, at least. I give him powers, he gives me a chunk of, I don't know, chocolate once a week. Like a warlock."

Wally keeps talking to the man, keeps getting information that he knows he should pay attention to, but something in his chest screams to accept this deal, and he can't focus on anything else.

Nightwing can protect. He can return to life and go back to Blüdhaven, be the Vigilante they need. He can visit Gotham every now and then, help with cases and stop criminals from harming others. He can see his brother. He can see his friends. He can eat Alfred's cookies, and have little get-togethers with Babs and the Team--hell, he can argue with Bruce.

And all he has to do is... give an offering to this guy? The Ghost King? Every once in a while?

"There's no other price?" The King turns his attention to Dick. His eyes had shifted to a blue-green that almost hypnotize him. The green swirls, the blue forms and melts like snowflakes, and he can't look away.

He takes another step forward and Wally steps to the side. There was familiarity between them. Wally deferred to him. Dick can't quite tell why. Though, with how Wally hasn't once looked at Clockwork, maybe it's because he's... grounded? Are all speedsters in trouble with, what, the Ghost of Time? That... actually makes perfect sense.

"I'll be honest, Nightwing: You've impressed me." The weight behind the King's words lifts the ones that've been on his shoulders since he was nine. "You remind me of myself. Maybe, if I wasn't a Halfa... If I had a mentor... I could've been like you.

"Despite Clockwork's insistence over the years that I get back in touch with the living, I've held off. When he eventually suggested that I help create another Halfa, I locked him in his tower for twenty years. I didn't want anyone to go through what I had. But, now... I see that you won't. You can't. Even if you hide this deal--our shared powers... You'll still have people by your side. Strong people. Smart people. You can already handle yourself. And I'd love to see what you can do--who you can save--with my help."

There was maybe two inches between their faces when the King finishes speaking. Dick roves his eyes across the other's face, trying to find the common and familiar ticks that show lies and deceit and manipulation. All he finds is sincerity and genuine care.

Wally plays with his fingers from the corner of his eye, gaze hopeful as he looks between the two of them. Wally, who was alive and breathing and able to leave if he accepts. Eventually. Somehow.

Dick Grayson sends a quiet apology to his parents and hopes they will forgive him for being a little bit selfish.

"I accept."

He flings his eyes open. Above him, domino mask too wobbly to be properly secured anymore, was Robin crying and begging him to wake up. His hands were sloppily placed over his heart. Batman was trying to drag him away, the firm set of his jaw screaming grief.

Nightwing gasps once he registers his lungs burning.

There's a large cacophony of noise, multiple bright suits and people hounding over him, and the distinct artificial taste of slightly-too-much oxygen that the ship with the Parademons had. That he flew out of and died. He was still too cold.

Someone moves their arm beneath his knees and shoulder and Dick passes out.

(Dick 'Nightwing' Grayson dies in space. Ghost King Danny Phantom likes this too-human Hero. They split their souls in half, take one piece of the others, and all they know is that Phantom is now Nightwing's Patron Deity. Danny uses ice, for electricity killed him. Dick uses electricity, for ice killed him. They are opposites, and yet so incredibly similar. Clockwork was looking forward to when Danny starts putting off his paperwork to hang out with his new 'friend'.)

[itscherryterry-again]

yea

[your-unfriendlyghost]

evie my beloved…

i was gonna just do my usual black and white comic stuff for this, but i swear to god every time i draw evie i get like…possessed to go all out. I can’t help it.

Also look dx worker evie

[stardustedknuckles]

It's looking like there's a growing divide between Campaign watchers and Tlovm watchers in terms of like. We're here for the characters. 12-episode seasons aren't. They can't be. I'm already making peace with everything we'll lose in the Mighty Nein show, and I know I will enjoy it for what it is but I also know that almost nothing that made the story so special will translate to the screen, because turning it into a show automatically means (in this day and age) that plot must be the number one priority. They've already come out and told us it's going to be different, the characters we know and love but new stories.

Because that's how this has to work. And I feel bad for campaign one lovers, because while it is certainly the easier of the two to translate to a big, overarching story, even though it's a more "traditional" high fantasy story with easier archetypal characters, the archetypes and the plot aren't what cemented most people's love for the campaign. So much of the love for critical role is stored in the interpersonal dynamics and the payoff that comes from hundreds of hours of tiny interactions that one day become cornerstones of development and even affect or dictate the plot.

There's no room for that. There's no room for Bard's Lament in a story that cannot afford to remove and replace a main character. A lot of tlovm is for people who have been here for all of campaign one. Most of it, however, isn't. It's for a new crowd. While CR may have creative control, you can bet your ass that there were months and years devoted to figuring out how to map a character-focused love of the show into a plot that hits the right beats to be viable in the show market.

And it worked. Tlovm has consistently high viewing numbers, and its popularity has brought and will continue to bring new people into the universe who have never interacted with CR previously. That's not a bad thing - imagine finishing your favorite show and discovering it has another FIVE HUNDRED HOURS of the equivalent of behind the scenes content. That's incredible for these newcomers. But man, it is in many ways a loss for us.

[sketchy-tour]

ALRIGHTY! Time to formally reintroduce yall to my silly idiot OC Dandy!

and by that I mean, I redid their ref art, tweaked their bio, and finally made a ref for their stupid pajamas! Wanted to do other fits for them but aa another time. Brain is mashed potatoes.

Anyway, Dandy is my silly WH oc who's main theme is self care/self love messages shown through the imagery of gardening! Meant to be a sort of "garden of the self" sort of deal. They go by ANY PRONOUNS! She/her or He/Him, or They/Them are all correct and okay to use when talking about them! (I just tend to default to they/them) Putting their full bio under the break!!! So you can read it all there!

"Resident gardener of Welcome Home, Dandy Leon is a curious but careful presence among the others in the neighborhood. They enjoy the quiet and spending their time tending to their various flowers. While a little shy around their fellow neighbors, they open up quickly when asked about their garden. Despite their more introverted disposition, they're always determined to make every day just dandy!"

It’s presumed that Dandy makes appearances only in the later episodes of the show’s run. But in old scripts found with them, it's shown that they moved to Home specifically because they were interested in the local plant life there. The episode that featured their move in seemed to focus on them slowly warming up to the others in the neighborhood, as their shy nature made it difficult for them to properly meet everyone. When asked as to where they lived before moving to Home, Dandy mentions living in a farm town far away, simply deeming it "far more south from here!" A lot of their dialogue also mentions their father, though he's never named but instead mentioned passively as Dandy would often use phrases like "Well it's like my pop always said-" when speaking to the other puppets.

During their short time on the show, Dandy's segments seemed focused on care for their garden, the language hinting that the flowers were more a metaphor for taking care of oneself and well being. Other characters can be found pointing out how much better Dandy’s garden looks when they’re feeling happy, but also comment how wilted it becomes when they’re shown to be a bit more downtrodden. They feel strongly about how important it is to be kind to yourself, even if it’s a skill they’re shown to still be working on themselves. Their confidence is something they also struggle with, seemingly a character meant for shyer audience members to attach to and grow alongside with. Dandy is often depicted in illustrations with Frank, getting along quite well in the show, often joining him and Julie on small escapades. Before the show's end however, most of Dandy's screen time is with Wally as he tries to get Dandy out of their shell more to spend time around others.

Interestingly, what pronouns were used for them seemed to change between the show's episodes and illustrated materials. While neighbors would refer to them as 'he' during the show, most art pieces seemed to refer to Dandy as a 'she'. Whether this was simply a miscommunication between teams or a printing error is unknown.

[fusionsprunt]

Non-canon instance where Beatrix accidentally falls into another dimension in which Holloway's Comet didn't make it to planet Zona.

[blightdaddy]

"Close your eyes. Take a breath. Slow, deep." - EMMRICH VOLKARIN

[whumpitisthen]

Two whumpees who are scared of each other:

Neither of them want trouble

They are both so afraid of being near the other they avoid each other constantly

They flinch away at the slightest touch like one person and their mirror image

They are strangers, they do not trust each other, they have been burned too many times in the past and they will not be burned again

They stare at each other from a distance, not daring to actually interact

They want to avoid a fight so bad that they won't even say a word

Whumper loves seeing them together because it's amusing how similar they are

Their uneasiness around the other is promptly forgotten when Whumper arrives

Whumpee can't have friends; Whumper doesn't want them to, and we all know what happens when Whumper sees Whumpee doing something they don't like

If hungry enough, they can be bribed with food to spend time in the other's vicinity

Non-human whumpees?! Two puppy boys being very nervous with pulled back ears and big sad eyes hiding behind their owner's legs

One Whumpee lives here and in theory should be more confident than the other one, seeing as they aren't the one in a strange unknown place. That confidence flees as soon as the Other Whumpee takes even a single step in their direction. They do not want to fight, they just want to keep an eye on them at all times.

They flinch back and the other one flinches back too. They cannot stop doing this

Caretaker basically has to pretend with each of them that the other doesn't exist. If they mentioned that their counterpart is in the room right across from them, Whumpee would not be able to sleep.

They sleep as far away from each other as the room they are kept in allows, backs to the wall, staying awake until they can't anymore

I think Whumper should collar them and bind them together with a short length of chain. For enrichment purposes... For me

One of them starts to finally unwind and gently tries to connect with the other. The other does Not react well. They are both scared again

One Whumpee has a lot of scars — must be a fighter -> scary

The Other Whumpee has no scars — must be a Really Good fighter -> scary

Whumpee looks just like the Other — must be just as desperate and unpredictable/their whumper must be just as bad/they must be at a similar level of strength as them, no guarantee to win if fight breaks out -> scary

One whumpee is scared because they have been tortured into perpetual fearfulness — the other has never been tortured, but sees how bad Whumpee has it, and being the newest addition to Whumper's collection has them just as terrified

Whumper forces them to interact. The forceful, scary nature of their meetings sets back their otherwise slow natural warming up to each other by miles, having the worst kind of counter effect. Seeing the other reminds them of that time Whumper made them sit and hold hands for hours with the threat of punishment if they disobeyed

They both escape. They see each other across the street. They freeze and stare, thrust back in time, stuck in their old frightened and cautious headspace. Their caretakers are perplexed.

[kingjasnah]

still somewhat baffled by both moash and el's place in this book. both of their impact being so fully confined to the shattered plains felt so weird like at the end of the book when dalinar is facing odium's champion and he's like "dude what the fuck is this. let me fight moash or someone i thought you were bringing out moash" i was also like. yeah hold on where did moash go

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )